An Incredible Musical Odyssey
I feel very relaxed
when I read a biography as against any fiction. The reason being we can
at least identify ourselves with the character which is more real, as it existed,
survived, achieved something and marked their existence by accomplishing some
wonderful job.
This book "An unheard melody: Annapurna Devi" by Swapan
Kumar Bondopadhyay-has left a deep mark in my mind. I couldn't stop myself from
brooding on the issue as "What defines Success" and "what people
what to achieve excelling in any field or mastering an art"?. Is it to
achieve personal glory and fame or to become communion with the art and finally
attain the contentment and happiness in life...
Success is defined by
the outcome or result of an endeavour (as per dictionary). But in general the
trend has been to judge a person who has attained wealth, position, honour as
Successful. If the same issue is looked at an individual's perspective the
parameters for success are often set by individuals themselves. So the standard
and the literary definition here may not be applicable to all the individuals
in the society alike.
This book has helped me to understand the most often
misunderstood and laxly used term SUCCESS and how it is different from
achieving the ultimate mastery or excellence in any field. This book provided
an insight into the personality of a brilliant individual Annapurna Devi,
daughter of the legend Baba Allaudin Khan, a court musician and founder of the
Maihar- Seina Gharana of music, sister of the Sarod player Ustad Ali Akbar Khan
and wife of Pandit Ravi Shankar, with single-minded devotion dedicated herself to music
and lived a life of seclusion. She is the sole female Surbahar player in
India. Her life is a culmination of total dedication and deep passion for
music.
She believed that music is divine and she obtained the real
happiness by becoming one with music. She is the inheritor of the great
repertoire of the Hindustani raagas as she was personally mentored by her
illustrious father. Hence, a legendary bearer of the huge traditional knowledge
of the Maihar-Seina Gharana. In spite of all odds, a tumultuous personal
relationship with Pandit Ravi Shankar and the untimely and tragic death of her
only young son Shubendra Shankar, she astutely committed herself to the
strict regime of intense talim. She has lived a life of recluse and tried to
seek solutions for her problems from within. Such was the discipline and the
love towards music that she has shut herself from the rest of the world and
hardly moved out of her flat for years together.
Two quite contrasting characters as they are, started
creating a niche of their own through music in different ways. Annapurna Devi
lived a life of seclusion and shut off from the rest of the world, shunning
public performance and vouched to pass on the traditional knowledge to the
deserving by teaching them with undaunted resolve. She was instrumental in
mentoring renowned musicians of our country - Pandit Hari Prasad Chaurasia a
Flautist, Nikhil Benarjee a Sitar player, Nityanand Haldipur, a Flautist,
Basant Kabra a Sarod player, Suresh Vyas a Sarod player. Instead of prying for
personal glory and fame, she sought to seek the ultimate happiness, refuge
and divinity through music. She found mystic happiness for her communion with music with intense riyaaz
through the medium Surbahar.
Pandit Ravi Shankar on
the other hand was an extrovert, went on to spread the flavour of the
traditional Hindustani music to the entire world through his brilliance and
expertise.
People would remember
and revere the unheard melody for the purity of the music and grit shown to
keep up her father's legacy alive. But alas, the dictionary definition of
success would fall short of describing the unique qualities of the
living-legend —
@ Copyrights reserved